On the Female Images in Bai Xianyong’s “Love’s Lone Flower” and Its Film and Television Adaptations
PDF

Keywords

Bai Xianyong; Love’s Lone Flower; female image; film and television adaptation

Abstract

“Love’s Lone Flower” is a unique article included in the short stories of Bai Xianyong’s “Taipei People”, which combines the two most important themes in Bai Xianyong’s novels —— gay themes and female themes. In the process of literature review, it was found that previous studies on “Love’s Lone Flower” mostly analyzed gender issues and tragic fate. This paper will start with the three female characters A-Liu, Wubao and Juanjuan in the novel “Love’s Lone Flower”, analyze their characters and the sense of struggle consciousness, and then explore the significance of the film through the adaptation of two versions of film and TV series.

https://doi.org/10.63808/mca.v1i3.218
PDF

References

[1] Bai, X. Y. (2010). Taipei people. Erya Press. (Original work published 1971)

[2] Cao, R. Y. (Director). (2005). Love’s lone flower [Film].

[3] Guo, L. (2019). On the time narrative art of Love’s lone flower. Grade Classic, (6), 8–11.

[4] Huang, Y. G. (2009). Gender code, heterogeneous voice: The reciprocal study of Bai Xianyong’s novel and film adaptation. Journal of Taiwan Literature, (14), 139–170.

[5] Lin, Q. J. (1985). Love’s lone flower [Film].

[6] Pu, Y. G. (2005). Bai Xianyong’s “Taipei people · Love’s lone flower” theme analysis. Chinese Literature, (2), 11–21.

[7] Shi, Y. (2024). What is a “woman”? Why is the “female” narrative about?—Peep into the Love’s lone flower novel and TV series adaptation. Journal of Suzhou Institute of Education, (5), 67–75.

[8] Wang, Y. P. (2011). Female lament under the oppression of male power: Interpretation of Bai Xianyong “Love’s lone flower”. Literary Circles (Theoretical Edition), (7), 56–57.

[9] Wu, M. H. (2015). On the female image transformation in the film adaptation of Love’s lone flower. Cultural Studies Bi-monthly, (148), 1–20.

[10] Zhang, R. (2022). The “carnival” of original desire and fate: On the tragic aesthetic value of “Love’s lone flower”. Appreciation of Famous Works, (21), 97–100.

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2025 Xinglong Yu